Presentation
France • Born in 1947
NATURA
There is a phrase that Bernard Descamps is particularly fond of, something that Jacques Prévert once said to the humanist photographer Edouard Boubat: “You’re a peace correspondent.” As opposed to the much overused term “war correspondent”, the expression appealed to Descamps who, in an interview in 2015, said, “We could have formed a club. I would definitely have been a member.”
A trained biologist, Descamps embraced photography in the 1970s but maintained his passion for science which, like photography, is an attempt to decipher reality. “Reality is not just misery or violence,” he likes to say. During his travels in Mali, India, Venezuela and Madagascar, he strives not to photograph life too explicitly, in too much of a documentary style. “I press the shutter button when I find something beautiful,” he confides.
He was a founding member of the major French agency VU’ in 1986 and has been poetically exploring every part of the planet and every genre of his art in black and white for 50 years, making a name for himself as a tireless traveller who evades classification. In this exhibition, his landscape photographs or, more specifically, the nature they show, seem to elude time, as if in a dream. His aim is to share the emotion he felt as he chose his frame, composition and lighting with the beholder. “Photography is a permanent self-portrait,” he says. “Because you don’t really photograph reality. You photograph yourself, projected onto reality.”
PLANT MAZE
© Bernard Descamps / Agence VU'
Exhibition
There is a phrase that Bernard Descamps is particularly fond of, something that Jacques Prévert once said to the humanist photographer Edouard Boubat: “You’re a peace correspondent.” As opposed to the much overused term “war correspondent”, the expression appealed to Descamps who, in an interview in 2015, said, “We could have formed a club. I would definitely have been a member.”
A trained biologist, Descamps embraced photography in the 1970s but maintained his passion for science which, like photography, is an attempt to decipher reality. “Reality is not just misery or violence,” he likes to say. During his travels in Mali, India, Venezuela and Madagascar, he strives not to photograph life too explicitly, in too much of a documentary style. “I press the shutter button when I find something beautiful,” he confides.
He was a founding member of the major French agency VU’ in 1986 and has been poetically exploring every part of the planet and every genre of his art in black and white for 50 years, making a name for himself as a tireless traveller who evades classification. In this exhibition, his landscape photographs or, more specifically, the nature they show, seem to elude time, as if in a dream. His aim is to share the emotion he felt as he chose his frame, composition and lighting with the beholder. “Photography is a permanent self-portrait,” he says. “Because you don’t really photograph reality. You photograph yourself, projected onto reality.”
PLANT MAZE